Pierre Audi, Eminent Force in the Performing Arts, Dies at 67

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Music|Pierre Audi, Eminent Force in the Performing Arts, Dies at 67

https://www.nytimes.com/2025/05/03/arts/music/pierre-audi-dead.html

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After turning a derelict lecture hall into the daring Almeida Theater, he had a long career as a director and impresario in Europe and New York.

Pierre Audi, a casually dressed man with thinning hair, poses for a portrait while sitting on the steps outside an old building.
Pierre Audi in Aix-en-Provence, France, where he had run the acclaimed opera festival since 2018.Credit...Violette Franchi for The New York Times

Zachary Woolfe

May 3, 2025, 6:02 p.m. ET

Pierre Audi, the stage director and impresario whose transformation of a derelict London lecture hall into the cutting-edge Almeida Theater was the opening act in a long career as one of the world’s most eminent performing arts leaders, died on Friday night in Beijing. He was 67.

His death, while he was in China for meetings related to future productions, was announced on social media by Rachida Dati, the minister of culture in France, where Mr. Audi had been the director of the Aix-en-Provence Festival since 2018. The announcement did not specify a cause.

Mr. Audi was in his early 20s when he founded the Almeida, which opened in 1980 and swiftly became a center of experimental theater and music. He spent 30 years as the leader of the Dutch National Opera, and for part of that time was also in charge of the Holland Festival. For the past decade, he had been the artistic director of the Park Avenue Armory in New York.

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The Almeida Theater in London. Mr. Audi was in his early 20s when he founded it in 1980, and it soon became a center of experimental theater and music.Credit...View Pictures

All along, he continued working as a director at theaters around the world. Last year, when the Théâtre de la Monnaie in Brussels cut ties with Romeo Castellucci halfway through his new production of Wagner’s four-opera “Ring,” the company turned to Mr. Audi as one of the few artists with the knowledge, experience and cool head to take over such an epic undertaking at short notice.

“He profoundly renewed the language of opera,” Ms. Dati wrote in her announcement, “through his rigor, his freedom and his singular vision.”


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