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The Projectionist
“Emilia Pérez” is hobbled, “Anora” is revitalized and plenty remains up in the air ahead of the March 2 awards ceremony.

Feb. 12, 2025, 5:03 a.m. ET
Sometimes, the period after the Oscar nominations can feel like a snooze. There may be a notable snub that’s worth discussing for a few days, but things eventually settle down and people begin to behave themselves as they head into the final stretch of the season.
This hasn’t been that.
The last two weeks in particular have been some of the most tumultuous in recent memory, thanks in large part to the controversy involving old tweets made by one of the “Emilia Pérez” stars, Karla Sofía Gascón. The initially defiant actress went rogue to defend herself, keeping her scandal in the headlines during several crucial voting periods. Now, a film that led the field with 13 Oscar nominations has been hobbled.
After all of that turbulence, where do things stand? Here are five narratives now emerging from the season that I plan to keep an eye on.
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As this year began, the awards-season aspirations of “Anora” appeared to stall out. The Sean Baker-directed comedy went winless at the Golden Globes on Jan. 5, and that failure-to-launch feeling lingered over the next few weeks when the Critics Choice Awards, where “Anora” hoped to score anew, were postponed from Jan. 12 to Feb. 7 because of the Los Angeles wildfires.
What a difference a weekend makes. On Friday, “Anora” picked up a best-picture prize at that delayed Critics Choice ceremony, and scored top honors the next night at separate shows held by the Directors Guild of America and the Producers Guild of America. Any movie that triumphs with both of those guilds has to be considered the best-picture front-runner, even though five years ago, “1917” conquered at the PGA and DGA awards and still lost the top Oscar to “Parasite.”