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“The Outsiders,” “Sunset Boulevard” and “Ragtime” were among the productions with stage moments that stood out this year.
Published Dec. 9, 2024Updated Dec. 10, 2024, 7:50 a.m. ET
Sutton Foster’s performance as the unorthodox Princess Winnifred in “Once Upon a Mattress” was full of playful mugging. But it was in the show’s indelible scene that her best physical comedy shone through: sprawling atop a tower of mattresses stacked on a pea, flailing, flopping, hopping and then propped, rear-end up, like a fitful child protesting bedtime. It’s the kind of clowning that few can pull off with Foster’s ease and charm. MAYA PHILLIPS
The beguilingly strange new Off Broadway musical “Dead Outlaw” retold the true tale of an Old West bank robber whose mummified corpse landed, in 1976, on the Los Angeles autopsy table of Thomas Noguchi, coroner to the stars. Noguchi is this dark comedy’s conscience — and in Thom Sesma’s performance, a fabulous showman, too. Grabbing the dangling microphone intended for postmortem notes, he delivered a slab-side nightclub number, boasting of celebrities he had cut up. Suddenly, surreally, death was a cabaret. LAURA COLLINS-HUGHES