William Finn, Tony-Winning Composer for ‘Falsettos,’ Dies at 73

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Theater|William Finn, Tony Winner for ‘Falsettos,’ Is Dead at 73

https://www.nytimes.com/2025/04/08/theater/william-finn-dead.html

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An acclaimed musical theater writer, he won for both his score and his book and later had a huge hit with “The 25th Annual Putnam County Spelling Bee.”

A middle-aged man with thinning hair, a gray goatee and eyeglasses, he sits in a red theater seat with his hands behind his head and wearing a shiny blue-patterned shirt.
William Finn in 2016. “In the pantheon of great composer-lyricists, Bill was idiosyncratically himself — there was nobody who sounded like him,” said André Bishop, the producing artistic director of Lincoln Center Theater.Credit...Alex Welsh for The New York Times

Michael Paulson

April 8, 2025Updated 6:16 p.m. ET

William Finn, a witty, cerebral and psychologically perceptive musical theater writer who won two Tony Awards for “Falsettos” and had an enduringly popular hit with “The 25th Annual Putnam County Spelling Bee,” died on Monday in Bennington, Vt. He was 73.

His longtime partner, Arthur Salvadore, said the cause of death, in a hospital, was pulmonary fibrosis, following years in which Mr. Finn had contended with neurological issues. He had homes in Williamstown, Mass., and on the Upper West Side of Manhattan.

Mr. Finn was widely admired for his clever, complex lyrics and for the poignant honesty with which he explored character. He was gay and Jewish, and some of his most significant work concerned those communities; in the 1990s, with “Falsettos,” he was among the first artists to musicalize the tragedy of the AIDS epidemic, and his musical “A New Brain” was inspired by his own life-threatening experience with an arteriovenous malformation.

“In the pantheon of great composer-lyricists, Bill was idiosyncratically himself — there was nobody who sounded like him,” said André Bishop, the producing artistic director of Lincoln Center Theater. He presented seven of Mr. Finn’s shows, starting at Playwrights Horizons in the late 1970s and continuing at Lincoln Center.

“He became known as this witty wordsmith who wrote lots of complicated songs dealing with things people didn’t deal with in song in those days,” Mr. Bishop added, “but what he really had was this huge heart — his shows are popular because his talent was beautiful and accessible and warm and heartfelt.”

Mr. Finn played varying roles across his career, as a composer, a lyricist and sometime librettist. His songs often feature “a wordy introspective urbanity,” as Stephen Holden wrote in The New York Times in 2003. In “A New Brain,” Mr. Finn seemed to distill his passion for the art form, writing, “Heart and music keep us all alive.”


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